{"id":2043,"date":"2024-01-24T19:32:36","date_gmt":"2024-01-24T18:32:36","guid":{"rendered":"https:\/\/galeriapilares.es\/?p=2043"},"modified":"2024-01-24T19:33:38","modified_gmt":"2024-01-24T18:33:38","slug":"paco_conesa_exposicion","status":"publish","type":"post","link":"https:\/\/galeriapilares.es\/fr\/paco_conesa_exposicion\/","title":{"rendered":"Silences de couleur, Paco Conesa"},"content":{"rendered":"<p>Lorsqu\u2019on contemple la peinture abstraite de Francisco Jim\u00e9nez Conesa, Paco Conesa (Madrid, 1956), on y per\u00e7oit l\u2019id\u00e9e de libert\u00e9 de la peinture : libert\u00e9 de composition, libert\u00e9 des formes, libert\u00e9 de la couleur\u2026 L\u2019abstraction est, en art, la libert\u00e9 par excellence.<\/p>\n<p>Le spectateur s\u2019\u00e9tonne de cette libert\u00e9 de Conesa et peut soup\u00e7onner un certain laisser-aller, c\u2019est-\u00e0-dire un manque de discipline ou de recherche de voies claires et profondes de la part du peintre. Ses tableaux sont vari\u00e9s et ne semblent pas ob\u00e9ir \u00e0 des s\u00e9ries pr\u00e9cises et d\u00e9termin\u00e9es. Certains sont plus r\u00e9ussis ou heureux que d\u2019autres. Les titres \u2014 tant\u00f4t lyriques, tant\u00f4t descriptifs \u2014 n\u2019aident pas toujours, car ils entra\u00eenent une dynamique d\u2019interpr\u00e9tation parfois risqu\u00e9e.<\/p>\n<p>Nous autres critiques, avec nos propres pr\u00e9jug\u00e9s, chercherions peut-\u00eatre plut\u00f4t des s\u00e9ries num\u00e9rot\u00e9es en chiffres romains pour cerner les directions de l\u2019auteur, mais je crains qu\u2019avec Paco Conesa ce soit difficile, voire impossible. Il est tr\u00e8s libre, comme sa peinture.<\/p>\n<p>\u00ab Je travaille par impulsions et chaque matin, face au tableau, je refl\u00e8te ma pens\u00e9e, mon humeur ou mon \u00e9tat d\u2019\u00e2me. Je suis tr\u00e8s changeant \u00bb, explique le peintre, qui avoue ne pas aimer donner de titre \u00e0 ses tableaux abstraits, car \u00ab si j\u2019\u00e9cris \u201cPluie\u201d, il y a des gens qui cherchent un parapluie \u00bb. Mais il faut bien que quelqu\u2019un les titre pour lui.<\/p>\n<p>Les tableaux ont certes besoin d\u2019une nomenclature pour qu\u2019on puisse en parler \u00e0 l\u2019oral ou \u00e0 l\u2019\u00e9crit, en \u00e9vitant peut-\u00eatre une trop grande dispersion. \u00ab Je travaille avec du jazz en fond sonore, et le jazz m\u00e8ne toujours \u00e0 la libert\u00e9 d\u2019interpr\u00e9tation \u00bb, ajoute Paco Conesa. La musique est assur\u00e9ment un art tr\u00e8s puissant, qui \u00e9touffe parfois le silence troublant et cr\u00e9ateur. \u00c0 chacun sa m\u00e9thode.<\/p>\n<p>S\u2019il fallait distinguer des \u0153uvres de l\u2019exposition de Conesa, cette critique retiendrait des tableaux comme \u00ab Azul \u00bb (Bleu), une sorte de beau nocturne ; \u00ab Secuencia \u00bb (S\u00e9quence) un et deux, en gris et ocres \u2014 ici il y a s\u00e9rie, ou s\u00e9quence \u2014 ; ou les tableaux g\u00e9om\u00e9trisants comme \u00ab Colores \u00bb (Couleurs) ou \u00ab Franjas \u00bb (Bandes).<\/p>\n<p><strong>Julia S\u00e1ez-Angulo<\/strong><\/p>\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/galeriapilares.es\/wp-content\/uploads\/2024\/01\/DSC_0539-1024x986.jpg\" alt=\"\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Lorsqu\u2019on contemple la peinture abstraite de Francisco Jim\u00e9nez Conesa, Paco Conesa (Madrid, 1956), on y per\u00e7oit l\u2019id\u00e9e de libert\u00e9 de la peinture : libert\u00e9 de composition, libert\u00e9 des formes, libert\u00e9 de la couleur\u2026 L\u2019abstraction est, en art, la libert\u00e9 par excellence. Le spectateur s\u2019\u00e9tonne de cette libert\u00e9 de Conesa et peut soup\u00e7onner un certain laisser-aller,\u2026<\/p>\n","protected":false},"author":3,"featured_media":2044,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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